Stick Figures Embroiled in Epic Combat

Storyboards! One of my favorite tasks while preparing for a movie. They usually start out with a lot of detail and shading. Eventually, about 60 pages in, they start to resemble abstract scribbles. This is from one of the first sequences assembled for The Killer Robot’s Next Movie.

When we shot it we didn’t have a lot of room as our green screen didn’t stretch but a few feet. Our actress, the indomitable Jenna Hellmuth, made the most of it with slow motion leaps and short hops that, in our mind’s eye, would translate into high intensity action once the backgrounds were added and the shots trimmed.

I’m happy to report, the sequence was a nice confidence booster. On the road to production I wrote and drew all kinds of way-out stuff with just a hope that it would all somehow come together in the final product. Seeing the puppets, performers, editing and effects come together in a final cut scene is a rush every time.

Check out the finished sequence below. Hope you enjoy!

Until Next time!

Surfing the Cosmic Waves of Creation

Filming Pluton

Working with Gary Tamarkin and Shawn C. Phillips

Gratitude
Producing a feature length Sci-Fi spectacle on a zero budget can leave one with very few options when it comes to locations, actors and crew personnel. In the case of the Killer Robots Next Movie we were blessed with a number of individuals who have given generously of their time and energy and have allowed us to turn their garages, barns and cat dens into temporary movie studios.

Zest
It’s a challenge to create something of scale with limited resources, but also a joy to see footage come together that is so far removed from a small room with a green screen, treadmill and kitty litter. It’s as if dreams too fantastic to realize were manifested into reality by sheer willpower, cameras, duct tape and recycled plastics.

Illumination
Even with writing the script and directing the scenes, the film still takes on a life of its own. Actors bring their personalities to the characters while costumes and props take on unexpected forms based on the materials at hand.  Sometimes I feel like the universe is creating the movie and I’m just riding the wave and trying to keep my balance.

Charles Harris as Trog

Mike McGowan steadies Trog played by Charles Harris

Back to the vortex. Thanks for reading!

Check out some info on The Killer Robots Next Movie (not the official title) and other projects over here.

Check out killerrobots.tv for information about the Killer Robots band along with very infrequent news updates!

Stretching Time with the Cosmic Potato

With my first feature, The Killer Robots and the Battle for the Cosmic Potato I got an idea for the story in a flash. I could hear the voices of the different characters and the jokes just seemed natural.  I wrote the script in a couple of days and added in bits and pieces throughout production.  The final script was 65 pages and to those familiar with screenwriting, that’s about 65 minutes of actual finished movie.  After producing a couple of shorts and the one feature I can attest that somehow it really does work out to about a minute of movie per page.

Dax delivers useless insight.

Now normally movies are about 90 minutes long while a few might get away with 70 minutes. I decided I needed an 80 minute movie and so added a lizard-like floating head between the different chapters of the movie.  He would recite various philosophical platitudes that really made no sense but somehow related to the story – but not really. He turned out to be a lot of fun though. Folks got a kick out of him popping up at various times through the narrative. Usually by the end he would be mercilessly booed, but that was part of the fun.

The Killer Robots and the Battle for the Cosmic Potato DVDTo further extend the movie to the 80 minute mark I constructed a rather long credit sequence at the beginning of the movie.  There were lots of flybys of computer generated planets while the names of the amazing cast and crew flashed by on-screen – all in a rich yellow and blue color scheme. Personally I love it, although watching it with an audience at Spooky Empire in 2009, I couldn’t help but think it should have been a couple of minutes shorter.

Finally I kept my shots at a leisurely 5-6 seconds long.  With dialogue extending some shots longer and some action bits coming in at around 3 seconds. I’m quite happy with the final product although when I watch it, I sometimes have an urge to trim the hell out of certain shots.  But I guess that what happens when you take on a project like this. You’re never really done with it.  You just have to walk away at some point and hope it flies.

The Killer Robots and the Battle for the Cosmic Potato is available at Amazon.com on DVD and Streaming.  More info here!

Adventures in the Land of Small Structures

My hat’s off to you folks out there who write these things every day. I’ve been staring into the screen for a while now.  I got nuttin! I keep adding pages though and planning content.

Meanwhile! I’ve got a list of about 146 shots for the new Killer Robots movie that I’m slowly working my way through.  All of them are matte paintings of different establishing shots of cities and interiors.  Sometimes to set the scene in a specific location or just for general atmosphere.

Painting Miniatures

Mr. Williams applies a base coat to a series of miniature structures for use in the Killer Robots Next Movie.

My good friend Samuel Williams built a variety of miniatures with which I’m photoshopping and compositing. It’s quite a bit of work, but they’re going fairly fast and give the film a gritty tactile look.

Shot of Pluton, played by Shawn C. Phillips, atop one of Samuel Williams’ creations.